Curriculum Vita, Books, Selected Articles, and Multimedia Conference Presentations

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Curriculum Vita
 

Books

  • Music and French Theater, 1600-1680 (Oxford University Press, 2000).
  • A New Treatise on Accompaniment by Monsieur de Saint Lambert, an Annotated Translation with Introduction (Indiana University Press, 1991)--not yet available online.


Selected Articles

·         Charpentier's Music for Molière's Le Malade imaginaire and Its Revisions, Journal of the American Musicological Society (1986).

·         Musical Sources of the Bibliothèque-Musée de la Comédie-Française, Current Musicology 41 (1986) 7-45.

·         Music, Fantasy, and Illusion in Molière's and Charpentier's Le Malade imaginaire, Music and Letters 73:2 (May 1992).

·         Music and the Self-Fulfilling Prophecy in Le Mariage forcé, Early Music (May 1993).

·         La métamorphose d'un intermède musical dans Le Malade imaginaire, Revue d'Histoire du Théâtre (1994-2).

·         Pierre Beauchamps, Choreographer to Molière's Troupe du Roy, Music & Letters 76:2 (May 1995), 168-86.

·         Musical Practices in the Theater of Molière, Revue de musicologie 82:1 (1996), 5-37.

·         Appropriation, Parody, and the Birth of French Opera: Lully's Les Festes de l'Amour et de Bacchus and Molière's Le Malade imaginaire; Recherches sur la musique française classique 29 (1998), 3-26.

·         A New Source for Lully’s Music to Molière’s La Princesse d’Élide, in Jérôme de La Gorce and Herbert Schneider, eds., Quellenstudien zu Jean-Baptiste Lully: Etudes des sources (Hildesheim: George Olms, 1999), 200-22.

·         ’A Mess of Russians left us but of late’: Diplomatic Blunder, Literary Satire, and the Muscovite Ambassador's Visit to Paris Theatres in 1668 (written in collaboration with Claudia Jensen); Theatre Research International 24:2 (1999), 131-44.

·         Pourquoi toujours des bergers? Molière, Lully, and the pastoral divertissement, Lully Studies, ed. by John Hajdu Heyer (Cambridge University Press, 2000).

·         The Opera Parodies of Florent Carton Dancourt, Cambridge Opera Journal,13:1 (2001).

 

Multimedia Conference Presentations

·         Music and the Scenic Portrayal of Gods, Men, and Monsters in Corneille's Andromède (paper presented at "Gods, Men, and Monsters" at New College Oxford, April 2001).

·         L’Air de cour et le théâtre de collège au XVIIe siècle (paper presented at "L'Air de cour" at the Centre de Musique Baroque de Versailles, October 2003).

·         The Metamorphosis of Psyché (paper presented at "Les genres de Psyché," Université de Valenciennes, December 2003).

·         Performance Practices at the Théatre de Guénégaud and the Comédie-Française, after Indications in the Autograph Manuscripts of Marc-Antoine Charpentier (paper presented at "Charpentier and His World" at the University of Birmingham, U.K., April 2004).

·         Les Conditions de représentation au Théâtre de Guénégaud et à la Comédie-Française, d'après renseignements dans les Mélanges autographes de Charpentier et dans les Registres des Comédiens du Roi (paper presented at the "Colloque Charpentier" at the Centre de Musique Baroque de Versailles, October 2004)

·         Les partitions théâtrales au XVIIe siècle: des débuts jusqu'au Malade Imaginaire (paper presented at "Le Parnasse des auteurs dramatiques", a conference sponsored by the University of Paris IV - Sorbonne, Jan. 31 and Feb. 1 2005)