Stitches and Seams


In describing the stitches and seams used to make shoes, or do any other sort of leatherwork, it soon becomes clear that the traditional description conventions that have come to us from sewing with fabric are inadequate to that task with leather. Up to a point, certainly, but soon things become needlessly confused. Moreover, shoemakers have their own nomenclature, much of which is unique to them. Further exacerbating the problem is that archaeologists and shoe conservators have created a jargon for describing shoes that is different from that used by shoemakers, either now or historically. The reasons for this are fairly simple, and mostly derive from the fact that the study of mechanics of shoe construction has a different focus from making shoes as a profession. One is interested in individual techniques, one in process. Neither is better than the other.

I have tried to work with these varied glossaries, and I think I have compiled something that should serve to make this a bit more clear. Wherever possible, I will try to describe the various sets of terms, as well as any other terms I have found used in the different sources. The variations in jargon are easier to make sense of if you think of the more scientific terms not so much as labels than as descriptions.

I have tried to stick to Olaf Goubitz's formatting for representing seams and stitching, as that appears to be the emerging standard (for good reason), although I may have strayed in practice in my presentation. If so, this is likely my fault, rather than a failure of the typology that has been developing.

As with the Glossary, most of these terms will be modern.  Those that are medieval shoemaking terms will be noted in italics. Modern shoemaking jargon terms will be in bold face, and given preference.  Terms that are not documentably medieval, but likely are, will be given in bold faced italics.  Modern archeological jargon terms will be underlined (Please try not to confuse these with hyperlinks, which are also underlined).  Specific sources will be named in [brackets]. Those terms marked with an Asterisk (*) are, as far as I know, unique to this document.

Examining seams from the most basic level, and moving to the more complex, the most basic point in shoemaking is the "Hold":

The Hold is the amount of the leather captured within the stitch, determined by how far back from the edge you pierce and how deeply you pierce, and how far apart you piece the leather (Note: depending on how you look at it, the picture above only shows a quarter of a Hold. The rest of the hold is the other half of the piece of leather shown, and the stitching area of any other peice of leather used). These are all separate variables that must be taken into account.

The most basic level of stitching is the hole that goes through the leather. Unlike sewing with cloth where the needle almost always goes from one side of the cloth to the other, in working with leather there are three types of holes that can be made, and from that are the five basic "stitches" (Flesh/Grain, Edge/Flesh, *Edge/Grain. Flesh/Flesh, Grain/Grain). (Note that most shoemaker's do not define their work quite like this. In the traditional Shoemaking terminology, the first of these is either "Stabbing" or "Stitching". The remainder of these terms refer to "Sewing".

The following section is divided into Basic Holds, Seams, Combinations, and Decorative Stitching.

(It should be noted that for the sake of ease only, these three have been split into four tables on four pages)

Basic Holds

Name Artistic
Appearance
Cross-Section Stitch Holes General
Appearance
Drawing
Convention
Notes & Application
Stabbing or Stitching (Flesh/Grain)       The hole goes in one side and comes out the other. Note that this is "stabbing" if done with a straight awl, and "stitching" if done with either a straight or curved awl.
Split Hold Sewing (Edge/Flesh)         The hole goes in the flesh side and comes out the edge. This is the most commonly used seam in Medieval Shoemaking. The term is from the fact that the needle "splits" the leather.
Split Hold Sewing (*Edge/Grain)         The hole goes in the grain side and comes out the edge. Note that in most cases this appears to be commonly referred to as "flesh-edge", regardless of the use of the grain side of the skin.
Blind Split
Hold
(Tunnel Stitch; Flesh/Flesh
Sewing;
Tunnel Stitch;
Caterpillar
Stitch; Clump
Stitch
)

Ok, there really isn't a shoemaking term for this stitch, except perhaps the vague term "Blind Sewing". The hole goes in the flesh side and comes out the same side. It is used primarily for a type of blind sewing, usually as part of a whip stitch. A stitch that "tunnels" through the leather and emerging from the same side, rather than punching through all the way from side to side. All that is needed for this are a curved awl and a curved or flexible needle. This also requires relatively thick leather. Punch the holes as you stitch, first on the sole, then on the clump, being careful to not actually punch through the outer side of the leather.
Mock
Stitch
(Tunnel Stitch;
*Grain/Grain
Sewing; Tunnel Stitch;
Caterpillar
Stitch; Clump
Stitch; Split
Hold; Decorative
Stitching
)

Again there is no good shoemaking term for this sort of stitch. The hole goes in the grain side and comes out the same side. It is used for decorative stitching on the quarters and sometimes on the vamp of footwear, and on gloves and other clothing

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Footwear of the Middle Ages - Some Stitches and Seams Used in Sewing Shoes, Copyright 1999 I. Marc Carlson. 
This page is given for the free exchange of information, provided the Author's Name is included in all future revisions, and no money change hands, other than as expressed in the Copyright Page.